Archive for the 'The gear I use' Category

So you have a ton of expensive camera equipment…time for some photo business insurance!

10Oct11

This is not a welcome sight.  Like it or not though, it’s a reality.  It may have started as a hobby and the cameras and lenses were more like toys, but if you are reading this chances are it’s turned into at the very least, part time work.  That means cameras and accessories have gone from toys, to your tools to work.  This means a few things.  One, your old toys are now going to take a beating, not matter how well you try and take care of them.  It also means you are going to buy more, and more, and more.  You were worried about accidently dropping the camera but with your collection growing you need to worry about the collection of gear getting stolen, hammered by the use, hammered by the weather, or just bad luck.  It’s time to think about protecting your investment.

I’m writing this because I get asked about business insurance for photographers quite a bit and I figure it’s time I put this up here.  I’ve had my equipment and business insured for somewhere around 8 years now and it’s now saved my ass twice.  Interestingly enough it’s been in the same year.  Call it bad luck or carelessness the insurance saved my ass.  We put our equipment in harms way all the time.  Just using the cameras in the outdoors is one, but add in the travel, and possibly being in sketchy locations you are putting your equipment at risk.  Having your equipment covered is a no brainer but what you may not have known is some locations require liability insurance for you to use their site for shooting photos.  In most normal situations most photographers won’t run into this issue however if you shoot skiing or snowboarding it’s unavoidable these days.

 Most major resorts now have policies in place to not let you shoot on their property (or leased land) without having 2-4 million dollars of liability insurance, with proof of that.  If you work with professionals then you’d really never have a problem and neither would the resort.  However the problem is when you don’t.  You have no idea what some athlete is going to pull if they get injured.  You could get sued, the resort could get sued.  I’m in America, everyone sues everyone to make up for their poor judgement.

There are a few ways to go about insurance.  If you are just a part timer and not really making much from your photography, then you are possibly covered under your renters or home owner’s insurance policy.  You may have coverage for  your personal property for something like theft, however there’s a possibility you won’t be covered for accidental damage to your equipment.  With that being said if you aren’t covered fully by the renters/home owner’s policy then it’s probably time to look into business insurance.  You’ll have a better time dealing with the resorts if you are a ski or snowboard photographer, and potentially with other locations.  For all you people out there shooting something like skate, bmx, or shooting urban ski/snowboard then in some situations when you try to get permission to hit an urban feature, liability insurance could also get you that permission.  I say COULD, because it hasn’t happened to me much, but it has helped a few times.  Just another consideration.

So, enough about the reasons that you should have insurance, lets talk about where to get it.  I’m sure there are plenty more than the three places I’m going to talk to you about but the three I know of have policies for photographers.  These three are also American insurers.  If you aren’t an American, well just start calling your local insurance agents that cover business and you should be able to find one.  I’m currently insured through Trustco in Salt Lake City, Utah and Jon Dunn is the person I’ve been dealing with.  Trustco is a group of agents that uses Traveller’s Insurance Company for their photographer policies.   Thomas Pickard and Associates is another agency and they have been working with photographers for years.  They have had a pretty good reputation and come reccomended from the people over at www.sportsshooter.com.  There are more sports photographers insured through TCP (Thomas Pickard & Assoc.) than you can count.  TCP is a group of agents that uses Fireman’s Fund Insurance for their photographer policies.  Lastly (there are plenty more I’m sure, you just need to find them) there is State Farm Insurance.  Just find your local State Farm agent and let them know what you do, and what you are looking for.  Remember when you are talking with them to make sure to bring up accidental breakage.  Chances are 50% of the time you are putting a claim in, it’s going to be for something that was damaged while you were out shooting people doing some really stupid shit.  You probably had to do some stupid shit yourself in order to get to said stupid location to take photos of said stupid shit and probably put your gear at risk to pull it off.  Make sure you are covered for every potential reason for loss.

Some of you may also not have insurance just simply because you think it’s too expensive.  When I first started, my policy cost me $500/yr.  I’m not around $700/yr, but I also have about double the amount of equipment than I did when I first became insured.  It’s not that much.  Knowing your gear is covered makes it a lot easier for me to put my camera equipment at risk and get it where it needs to go.  Something happens?  Well, you’re covered.  Breathe easy.  Your gear my be broken but you got the shot right?

Jon Dunn
Trusco, Inc
www.trustcoinc.com
801.278.5341 

Tom Pickard & Assoc.
http://tcpinsurance.com/
8
00.726.3701

State Farm Insurance
http://www.statefarm.com/
Find your local agent on the front page of their website.

Clik Elite ClikSit packable chair review

13Jul11

After the review of the Clik Elite Contrejour camera backpack, this review of the Clik Elite ClikSit is going to be a lot less in depth.  In fact it’s going to be real short.  This is one of those products though that when you pull it out everyone around seems to give you a WTF type of jealous look as you just pulled out some instant comfort in the middle of nowhere weighing in less than a pound and a half.  It’s small, it’s lightweight and still strong enough to support the tubbiest of people out there.  Lets face it, we stand around waiting for light, waiting for the action to happen again, waiting, waiting, waiting, why not do that sitting?  It’s not a new invention, it’s just like the As seen on TV Pocket Chair, however, it’s a LOT lighter.

Check it out here at B&H Photography

 

Lounging setup, waiting for things to go down.


Specs:

  • Folds up to 91/4” x 8” x 11/4” and weighs only 1lb 5oz.
  • Constructed of high quality aluminum, high-tenacity webbing and ballistic fabric with riveted reinforcements
  • Nylon storage bag
  • 300 lb. capacity

 

Detail of the connecting strap at the bottom of the stool.  Unfold and connect the two steel straps together and have a seat.


The ClikSit next to the Clik Elite Contrejour 40 for scale

 

Carry bag that comes with the ClikSit.  The package is small and light and fits easily in the front pocket of the Clik Elite Contrejour 40 camera backpack

Clik Elite Contrejour 35 / 40 Photo Backpack Review

12Jul11

If you’ve seen my reviews before you know that I don’t really review a product unless I really like it, or really hate it.  Before you go on you should know I’m partially biased since I’m sponsored by Clik Elite.  So that being said take it for what it’s worth but I’ve been using the production model of this pack for the last year, and a prototype the year before, I think it’s an honest review.

The Clik Elite Contrejour comes in two sizes, the 35L and the 40L pack.  Both of these packs are almost identical with the only difference being the 40L is two inches taller.  It doesn’t sound like much but in the terms of fit, two inches makes a huge difference if you are…..rather vertically challenged like myself.  Most men would probably like the fit of the 40L, I’d suggest people shorter than 5’5″ to go with the 35L for a better fit.

This pack has been a long time coming with Clik Elite and I’m glad to have been a part of the development.  There are a few key features to this camera pack that stick out as different from the pack.  The Contrejour has a curve to the pack to more closely follow the curvature of your back that is built into the aluminum frame as well as the rigid foam camera block that is built into the pack.  Having the camera block built into the pack makes for one less thing to move around while you are skiing, snowboarding, biking, hiking, etc to help keep the bag glued to your back while you are charging hard to get into location.

Continue reading ‘Clik Elite Contrejour 35 / 40 Photo Backpack Review’

What’s in the bag

05Jan11

inside the camera_pack

One of the things I do get requests for is a “what’s in the bag” post.  So, here it is.  This is a pretty full kit, it would be what I’d bring to an urban shoot where I’m driving to the location, or for a park shoot where it’s easy to get around and carrying 40+ lbs on my back isn’t that big of a deal.

The camera backpack is a Clik Elite Contrejour 35 L

Camera Compartment:

inside the camera_pack2

Accessories:

  • (2) Pocket Wizard Flex TT5 Transceivers
  • (2) Pocket Wizard Plus II Transceivers
  • (1) Pocket Wizard Plus Receiver
  • (5) Pocket Wizard Multimax Transceivers
  • Nikon D40 (Extra small DSLR camera body with a CCD sensor and electronic shutter capable of full-frame flash sync up to 1/1250 second.
  • Canon Powershot S95
  • Filters
  • Cokin P ND Filter Holder
  • Adhesive Backed Body Warmer (To keep batteries warm and functional in extreme cold)
  • US Customs form 4457 (Proof of ownership forms.  I keep these in the pack since I’ll probably forget to pack them when I actually need them)
  • Pocket Wizard N90M3 Nikon Motor Drive Cable (Connects Nikon camera bodies to a Pocket Wizard for remote firing)
  • Nikon MC-12B cable release
  • Black Diamond Icon headlamp (Lots of range and great for skiing down in the dark after shooting night shots up on the mountain)
  • Sync Cables
  • Lip Balm
  • AA Batteries
  • Extra memory cards
  • Gels for speedlights
  • Electrical tape (Almost as good as duct tape, but doesn’t leave a residue behind)
  • Battery tester
  • Rocket Blaster (Keep your lenses and image sensors clean!)
  • Burton AK powerstretch glove liners (best gloves for shooting in the cold, comfortable with good feel from 5 degrees F on up)
  • Fruit Leather, Cliff Shots, any other snacks
  • Aleve (Always good to have a few over the counter pain killers for rough days, and for athletes with rough landings)
  • PS3 controller (Most times when I’m shooting with Tom Wallisch, he makes really tech tricks look too easy so I’ll plug him into Amped 3 get him started on the next impossible trick)
  • Balsa wood plane (Sometimes shooting urban can get really really really slow after I’ve gotten all my shots I can get)

Clik Elite Volt Camera Backpack Review

18Nov10

Clik Elite Volt front view

I’ve been working with Clik Elite for the past year and while most of my involvement in development has been with the Contrejour 35 & 40, the ClikStand series of packs is something I’ve been very interested in as it would be a single consolidated package of pack and stand for my strobes.

Continue reading ‘Clik Elite Volt Camera Backpack Review’

Pocket Wizard Multimax – new 7.5 firmware in long range mode

08Jun10

New Pocket Wizard Multimax with USB portA little while ago Pocket Wizard announced the new v7.5 firmware for their new Multimax units that have the USB port for firmware updates.  Included with the new firmware are a few useful features:

  • Long and short range mode
  • Noise sniffer
  • Signal strength meter
  • Radio relay (Repeater mode)

Since I just got the new Multimax’s at the tail end of my spring terrain park shoot season I was only able to test out a few of the new features.  The signal strength meter is a really good tool for sure to have going, especially in a long range situation which is usually the situations that I’m shooting on the mountain.  A lot of time’s I’m shooting with my 70-200mm lens and am pretty far away from my strobes so being able to see what the signal strength is from my Multimax is a good tool to try and pre-determine if I’m wandering out of the radio signal’s range.

The other upgrade I was able to test out was the long range mode.  I was shooting photos of freeskiers Simon Dumont, Matt Walker and LJ Strenio sliding an urban rail with Poor Boyz Productions a few weeks ago and started wandering out a bit further from the scene and my lights .  As I found my shot I realized I could have a few problems with radio interference with the shot I had setup.  My first problem was being surrounded by some steel chainlink fence, my second was not having line of sight to my strobes, the third was laying up against the steel chainlink fence.  Too add to this I was laying on the ground so I could get the grass in the foreground and to finish things off I was in an urban environment with power lines directly above me.

Simon Dumont sliding a loading dock rail in Bend, Oregon - PBP

I was about 300 feet away, a bit on the middle end of the range of the Multimax’s but with all these factors and radio interference I couldn’t get consistent signal and my strobes were firing a little erratically.  Since this was a perfect time to try out the new long distance mode I began sprinting back and fourth between my shooting location and making sure I had everything dialed with the Multimax’s on the three strobes I had setup on the scene.  The long range mode worked and in a situation I may not have been able to take the shot I wanted previously, I was able to get the shot I wanted with lighting.

I spoke with some of the people at Pocket Wizard and the reason long range mode works is they slowed down the data rates and increased the error correction.  This is supposed to have an impact on the maximum usable shutter speed, however I was able to sync this shot at 1/1000 of a second with my Nikon D40 body.  With that being said, I’ll have to do a bit more testing to see at what shutter speed the reliability begins to degrade in long range mode.

Check back later for a more complete review.

Lowel 0133 Omni Light Stand – 9′ tall, compact + Lowell KPH Half Pole 3′ Extension

26Dec09

It’s again that time of year for me, the season is ramping up and time to replace old broken and lost gear.  In an effort to pack lighter for trips on the unfriendly skies I recently looked at my pile of light stands looking for a way to cut some weight and to get things in smaller bags.  In the past I’ve been packing my rolling ski bag in order to get my older 9 foot Bogen light stand in the mix.  The nine foot basic stand sits at 36″ long folded up and weighs in at three pounds.  While it’s a pretty good sturdy stand, packing my rolling ski bag around the airport and small rental cars really sucks.

Lowell 0133 Omni Light Stand

Continue reading ‘Lowel 0133 Omni Light Stand – 9′ tall, compact + Lowell KPH Half Pole 3′ Extension’

You need this iphone dock if you are a photographer – Griffin Simplifi iPhone/iPod Dock + CF/SD memory card reader + USB 2.0 Hub

22Oct09

iphone_dock

I ran across this iPhone/iPod charge/sync dock / CF/SD card reader when I was at the Apple store yesterday getting my stupid iPhone fixed for the 5th time.  The Griffin Simplifi is 3 important computer accessories in one for photographers.  This thing is pretty epic and if you are anything like me, you probably have too many cords and accessories plugged into your computer as is.  Why not put two of the most often used ones accessories you have one place?  Anyways, I just ordered one and am pretty stoked to get it.  The one thing that sucks is it runs on USB 2.0 instead of Firewire 800 but for the convenience it’s not that big of a deal.

Here’s what you get:

  • iPhone/iPod charge/sync dock
  • CF / SD memory card reader
  • 2-port powered USB 2.0 hub

Here’s a link to it at bhphoto.com

More info/specs at Griffin’s product page here


Alien Bees strobes – a 3-year review

09Jan08

The Alien Bee 1600’s - offered in many choice colors.So there’s been a lot of questions about Alien Bees on wheelsandwax.com – a forum I post on a bit so I thought after using them successfully for 3 years I’d post a review on them.

Keep in mind this review is targeted specifically towards action sports photographers. In my case, primarily ski and snowboard photography.

So here’s my take on these things, I’ve had quite the learning experience with them as they were my first big strobe.

I found out the hard way that the durations get longer as you power them down, contrary to speedlights and a lot of the strobe systems out on the market. I have the 1600′s and they are usable depending on the situation for action.

Keep in mind all this, the effectiveness of your strobe’s duration to stop the action is based on a lot of things, how close you are to your subject (wider the lens and closer you are, typically the object is moving across the frame, very very fast compared to a longer shot.  So depending on that you might need a faster duration in order to stop the action.

Anyways, here we go.

Build Quality:
Built fairly inexpensively and are not designed to be out in the elements, especially in a snow environment.   Of course I’ve found that can be remedied by a clear plastic bag to keep the elements out.   The body of the strobe unit is very durable plastic and after some pretty heavy use has always held up.  The back panel is where I’ve had a durability issue though.  The plugs have broken after being tugged on a bit in some extreme cold conditions after they became brittle.  As far as the internals, I have had to send mine in for repair 5 times in the 3 years I’ve owned these units.  Weather or not they were caused by moisture, or exposure to the elements I’m not sure.  That being said, their repair people are first class and are willing to work with you and help you out if things are urgent.  The repairs have always done very quickly and delivered exactly when promised.

Cables/Accessories:
The cables are targeted to be easily replaceable and cheap. Power cable are a standard computer power supply cable. If you need to replace it, chances are you can find one in any town you are in. Same goes with the sync cable, it’s a standard 1/4″ miniphone (headphone) mono cable. Can find it at any Radio Shack or electronics store. I think even at Wal Mart. Reflectors are cheap, period. They do their job and are cheap to get.   Definitely get the sports reflector. It basically doubles the power in the effective area the light is sent to. Using a soft box is easy, just use the Alien Bee speed rings on any soft box, I’ve used a Chimera, Photoflex and something else (can’t remember the brand) on it with no problems. The attachment system for the reflectors, soft boxes are simple and easy to use.

Flash Durations:
Always look for flash durations using the t.1 method. The t.5 method which only measures the duration at ONLY 50% discharge. What does this mean? It means that there is still 50% of the light to still come out of your strobe head. This also means that you need to basically multiply the duration times 1.8x in order to see what the usable duration is beceause, the head is still putting another 50% of it’s light. The method that is useful to us action photographers and that matters is the t.1, that measures 90% of the output.

Taken from the Alien Bees website:
http://www.alienbees.com/flash.html

Model     Full Power   1/32 power (minimum)
B1600:     1/600          1/300
B800:       1/1100        1/550
B400:       1/2000        1/1000

I Wish that information was available to me when I first got my 1600′s as all they had was the t.5 method on their site and I did not know the difference between that and the t.1 method.

Also: Contrary to any other strobe on the market (aside from the White Lightning’s) the flash durations GO UP when powered down.

I have successfully used the 1600′s at full power in many situations, of course before I knew what the actual durations were. Sometimes it worked out, sometimes it didn’t but until I found out that the durations went up when I powered down, i blew a lot of shots getting motion blur.

Portable Power Pack:
This is an interesting thing, as it’s one of the only systems where you could actually build your own power pack. You can with any monolight that plugs into a regular wall outlet however these are the only ones on the market that are small enough to even consider putting in a backpack and using them at the locations we tend to go to.

The Vagabond and Vagabond II systems are simply put a sealed lead-acid 12v battery and an true sine wave inverter in a modified beer cooler. The difference between the 2 models is the Vagabond II provides a faster recycle time and more pops of the strobe. They are simple and they work and another nice thing about them, is it’s a portable power system for anything you own that plugs into a wall outlet when your power goes out!

The Vagabond weighs approxamately 20lbs. The Vagabond II is a bit lighter at 18.6 lbs.

One nice thing about the simple power pack is you can save a few bucks and build your own. The important thing for someone building this type of system is that a true sine wave inverter is used. A typical inverter you can buy at most electronics stores and superstores like Wal-Mart are a modified sine wave. These types of inverters will flat out not work for powering the Alien Bees and could possibly damage them. DON’T USE A CHEAP INVERTER!

I personally have one Vagabond and also one that I put together myself so i don’t have to run extension cords (did that for a year and a half) and so I have only one head per battery. I’ll have more about making your own power pack for these later.

Usability in the outdoors:
There is an internal fan in the Alien Bee strobe units. Because of this there are vents on the housing of the Alien Bee heads. Water, snow, etc can get into these. If you shoot in bad weather, this could be an issue. I’m not sure if it’s contributed to my problems with them breaking or not. I haven’t had a specific situation where the head was getting wet and they stopped working. I have tried to keep them somewhat sheltered from the elements by covering them with plastic, leaving the bottom open to allow for ventilation. If you shoot in dry conditions all the time, this should not be an issue.

Light Quality:
The light quality of these are good but not great. It’s not a Profoto or an Elinchrom, the light isn’t as great as those systems, but it’s still good and I continue to use them as a major portion of my lighting kit. The major concern is that the color temperature varies depending on the power settings. It’s not a huge variance, but it’s still a concern and noticeable.

Bottom Line:
They are the best bang for your buck, especially for those working on location where a battery powered system is important. The flash durations in the Alien Bees 1600′s can make it a bit more difficult to work with for action but for most situations, are still usable. They are a good, cheap way to get more usable power as your first big strobe system moving from speedlites. If you are shooting action, I would get a 400 and an 800 and build your own power packs for each so you don’t have to run extension cords for power.  Of course if money isn’t as huge of a deal then a Vagabond unit for each head is of course an option.  If not, one Vagabond unit and a really long standard extension cord works just fine and is what I worked with for my first 3 years working with the Alien Bees system.  I am finally upgrading to an Elincrhom Ranger system, but am keeping my AB’s as a 2nd, 3rd, 4th and 5th head.




Supported by:

Twitter

  • @bwoodworth
    Nope, looking for something reliable, 35+mpg, and doesn't look like an econo box. Best option I can see in my price range
    2012/05/22 13:02
  • Anyone have a 2000-2003 @Toyota %Celica? With some feedback? Thinking of finally replacing my Civic
    2012/05/22 13:43
  • @kampf
    yah finally got sick of doing the work myself and brought it to a shop too
    2012/05/22 13:30
  • @kampf
    it went there for what?
    2012/05/22 13:05
  • @kampf
    It's so bad how many @dodge parts have failed in the last year on this piece of shit.
    2012/05/22 13:03
  • 05' Dodge Dakota. The worst vehicle I've ever owned out of 7. @dodge never again will I make the mistake of buying @dodge JUNK.
    2012/05/22 13:38
  • @codytownsend
    What's your email address?
    2012/05/21 17:53
  • Another from yesterday's #sunset on the salt flats.
    http://t.co/aMSpLkyd
    2012/05/21 16:39
  • @bwoodworth
    Discount card is the way. Wingpointe, Bonnivelle, both Mountain Dell courses, some others but those are the good ones.
    2012/05/21 14:00
  • @bwoodworth
    SLC discount card. Pay $75 ($50 w/usga membership) and you get 20% off of golf/range balls for a year.
    http://t.co/yEGeDtqV
    2012/05/21 14:57

My iPhone instagrams

  • Salty sand. Gross?
  • Another from yesterday's #sunset on the salt flats.
  • Missed the #eclipse cause of clouds but got this #sunset on the salt flats instead #iphoneonly
  • I got a good spot, now hopefully the clouds clear a little in time for the eclipse
  • Fortunately, this is NOT the hillbilly wiring job in my car!
  • Go to the link and request a gallery opening
  • @fabiolous at the @RedBull Cold Rush last year. I was shooting with my phone and a real camera at the same time. #iphoneonly
  • Meet Darla @yesswerner
  • Hole 7 on the Lake course at Mt. Dell golf course
  • First day of the season
  • Details.
  • Color. Road Island Diner
  • The Road Island Diner is a pretty cool spot
  • Today's commute to work
  • Summertime
  • @bsedler serving up the best
  • Best AZN/Hawaiian care package ever
  • The best. Thanks mom
  • No more of this for the season
  • Oh herro there.
  • Lots of driving to go
  • Peace out skiing. You were a dirty little bitch this season. Next stop, summer
  • Another take on the pipe feature at @breckenridge resort. Thanks for a great shoot, I'm out. SEASON IS DONE!
  • Still creepy. Glad I'm not staying on the 5th floor #theshining
  • This is how much @ATT sucks. Throttling down my Internet connection cause I actually used my "unlimited" Internet
  • Gloomy #sunset over Silverthorne, Colorado
  • Cabin fever
  • Cool clouds on the way down the mountain a few days ago
  • Buffalo?
  • Round 2 on the step up pipe feature at @breckenridgeresort

Facebook